These are the films that were screened during 1.
They remain listed for those who want to check back on the details of a film.
- BRIGHTNESS (Souleymane Cisse, Mali/Burkina Faso/France, 1987) 105min GA 35mm
- WAITING FOR HAPPINESS (Abderrahmane Sissako, Mauritania/France, 2002) 95min M 35mm
- THE FRANC (Djibril Diop Mambety, Senegal/Switzerland/France, 1994) 45min PG 35mm
- THE LITTLE GIRL WHO SOLD THE SUN (Djibril Diop Mambety, Senegal/Switzerland/France, 1999) 45min PG 35mm
- THE LAW (Idrissa Ouedraogo, Burkina Faso/Switzerland/France, 1990) 83min GA 16mm
- SHE AND HE (Susumu Hani, Japan, 1963) 120min G 16mm
- DARK HABITS (Pedro Almodovar, Spain, 1983) 100min R18 16mm
- SOLARIS (Andrei Tarkovsky, USSR, 1972) 165min GY 35mm
- LABYRINTH OF PASSION (Pedro Almodovar, Spain, 1982) 99min R18 35mm
- WHAT HAVE I DONE TO DESERVE THIS?!! (Pedro Almodovar, Spain, 1984) 101min R16 35mm
- LIVE FLESH (Pedro Almodovar, Spain/France, 1997) 100min R18 35mm
- CAPE FEAR (J Lee Thompson, USA, 1962) 99min R16 16mm
- PARIS WAS A WOMAN (Greta Schiller, UK/USA, 1995) 75min 16mm
- GERMANY YEAR ZERO (Roberto Rossellini, Italy/Germany, 1947) 78min 16mm
- NIGHT AND FOG (Alain Resnais, France, 1955) 32min R13 16mm
- GERMANY YEAR 90 NINE ZERO (Jean-Luc Godard, France, 1991) 60min 16mm
- RUBY AND RATA (Gaylene Preston, New Zealand, 1990) 110min GA 35mm
- BROKEN BLOSSOMS (D. W. Griffith, USA, 1919) 89min GY 16mm
- THE ROAD HOME (Zhang Yimou, China, 1999) 89min PG 16mm
- THE THIN BLUE LINE (Errol Morris, USA, 1988) 101min Exempt 35mm
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